SMART Target Response: Commercial Illustration - Poppy Development
Once I completed the initial development of my poppy silhouette concept I decided like my initial silhouette illustration of Willie and Tom, to take my design further to see just how far I could enhance its design and whether or not this would be the design I would choose to use as my final submission for this module.
I am much happier with my design following these adjustments, I was influenced by the artist David Frankland who designed the cover for the current 'Goodnight Mr Tom' with his use of colour block shading on his silhouettes. I found the exploration into this method rather interesting as I have never before based the detailing around the areas there would be shadows rather than actual refined detail, so it was a new process for me but I really enjoyed it. I feel that the style influenced by Frankland really suited the overall aesthetics of this design and made sure my overall illustration appeared refined rather than over encumbered.
I was happy with the colour scheme used in my original experiment so I worked to heighten it within my development rather than change it. I love how I have used the vibrant, recognisable red of the poppy as the main colour for the cover of the book as I feel it causes the inner details to pop without appearing sinister. I feel if I had swapped the location of my colours the effect would not be even nearly as inviting as it has turned out.
I am much happier with my design following these adjustments, I was influenced by the artist David Frankland who designed the cover for the current 'Goodnight Mr Tom' with his use of colour block shading on his silhouettes. I found the exploration into this method rather interesting as I have never before based the detailing around the areas there would be shadows rather than actual refined detail, so it was a new process for me but I really enjoyed it. I feel that the style influenced by Frankland really suited the overall aesthetics of this design and made sure my overall illustration appeared refined rather than over encumbered.
I was happy with the colour scheme used in my original experiment so I worked to heighten it within my development rather than change it. I love how I have used the vibrant, recognisable red of the poppy as the main colour for the cover of the book as I feel it causes the inner details to pop without appearing sinister. I feel if I had swapped the location of my colours the effect would not be even nearly as inviting as it has turned out.

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